Extending this work, I've built a research group, the Robotics, Automation, and Dance RAD Lab, that works to understand how choreographic tools, processes, and abstractions can advance the field of robotics. At AE we are working to extend these ideas to a commercial product. I was intrigued to see young people working in industrial automation. After connecting with Eric multiple times, my investment interest has grown.
Truitt History, Bryn Mawr College and a discussion panel about the issues surrounding the concept and practice of robots and their histories Ben Grosser creates interactive experiences, machines, and systems that examine the cultural, social, and political implications of software.
His writings about the cultural effects of technology have been published in journals such as Computational Culture, and Big Data and Society. She is the co-founder of AE Machines, a startup company that makes easy-to-use software for flexible automation cells.
Prior to UIUC she held a position as an assistant professor for two years in systems and information engineering at the University of Virginia. She completed her Ph. Her dissertation included a live performance exploring the concepts of style she developed there.
Her research began at Princeton University where she earned a certificate in dance and a degree in mechanical and aerospace engineering. Her senior thesis, which quantitatively compared two styles of dance, earned top honors in the MAE department, the School of Engineering and Applied Science, and the Lewis Center for the Arts.
She has a background in medieval intellectual and cultural history and the history of science, and has published articles on the history of automata, early mechanical clocks, the history of astronomy, pharmacobotany, and medieval AI.
She is the author of Medieval Robots: She is currently at work on two short projects--on Chaucer's Treatise on the Astrolabe and on the curiously related histories of the codex and the mechanical clock--and a monograph about Roger Bacon, devices, and the importance of experience.Why I Avoid Fluoride.
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The seven seniors — Stephanie Chen, Chelsea Kolff, Amy LaViers, Sarah Outhwaite, Julie Rubinger, Jennie Scholick and Elizabeth Schwall — have elected to do a creative thesis in dance in addition to projects in the departments in which they are majoring. A. Bacula and A. LaViers, "Character Recognition on a Humanoid Robotic Platform via a Laban Movement Analysis." 5th International Conference on Movement and Computing (MOCO).
I. Pakrasi and A. LaViers, "A Design Methodology for Abstracting Character . This award was established in by the trustees of the LeMoyne Page Foundation in memory of Francis LeMoyne Page, Class of Awarded annually to one or more members of the junior or senior class to honor distinctive achievement in dance.
Amy LaViers is an assistant professor in Mechanical Science and Engineering Department at the University of Illinois at Urbana-Champaign and director of the Robotics, Automation, and Dance (RAD) Lab where she develops robotic algorithms inspired by movement and dance theory.
She is the recipient of a DARPA Young Faculty Award (YFA).
Jon Bellona is a sound artist who specializes in digital technologies. Jon’s music and media explore environmental sustainability, data-body interactivity, digital musical instruments, site-specific sound, and choreographic composition.